![]() So while Bush is strong enough musically, you can’t help but wonder what would’ve happened if this crew had followed R&G with a full-length a decade ago, when everyone involved was still in his prime. The music puts past images of him grooving to Bootsy Collins while stoned in Baby Boy or dancing to Funkadelic in The Wash in perspective-funk has long been his lifeblood. Still, it makes sense for Snoop to be making this type of music at this stage of his career, as he approaches his mid-forties and rap recedes into his past. Bush is designed to function as an old funk record that you can let run for an entire party’s duration, but its uniformity might make it less appealing over the long haul. And although the album features just 10 songs, it feels like there are only about six. "I Knew That", for example, opens with the same motif as the one used on the superior "Peaches N Cream". ![]() At just 41 minutes long, Bush is indeed an easy listen, but the songs also bleed together. ![]() Snoop has said that he tapped Pharrell for creative guidance because he wanted a cohesive sound for the album. From start to finish, Bush is a feel-good record. We think EGO is the possible answer on this clue. This answers first letter of which starts with E and can be found at the end of O. The crossword clue possible answer is available in 3 letters. On "Peaches N Cream", Snoop, Pharrell, and Wilson combine once again for an infectious retro-funk fusion. This crossword clue ' Trippin' (Snoop Dogg album) was discovered last seen in the Januat the Daily Pop Crosswords Crossword. The mood holds from the bubbly disco of "R U A Freak" to the Nile Rodgers-inspired guitar work on "Awake", a song that brings to mind the second wind you get during a party’s final 20 minutes. as the nucleus of luxury and vice ("Baby you can be a movie star/ Get yourself a medical card, yeah/ ‘Cause that’s how California rolls") on the sticky hook, and Wonder accents P’s trademark falsetto with background vocals.īoth Snoop and Pharrell are products of the '70s, so it makes sense that they'd embrace the ambiance of the music they grew up listening to, and that they'd be pretty good at it. Over an instrumental as smooth as a ride down Rodeo Drive on an 85-degree day, Snoop's croon is convincing enough to sell lines like “So if you wanna go to Melrose/ Let’s hit Adidas, girl, we got our own shell toes." Pharrell positions L.A. Bush was conceived as a tribute to the funk and R&B of the 1970s, and the familiar wail of Stevie Wonder’s harmonica on the stand-out opener, "California Roll", establishes the mood.
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